Many artists prefer acrylic paint because of its versatility and vibrant colors.
Acrylic paint is water-based, so it allows for easy cleanup and quick drying.
Among the many brands available, Old Holland’s New Masters Acrylics stand out for their high pigment concentration and smooth application, catering specifically to the needs of professional artists.
When choosing acrylic paints, you need to consider several factors.
The quality of the pigments, the consistency of the paint, and how well it interacts with other mediums can significantly affect the final artwork.
Understanding the range of colors available and their lightfastness ratings is also important, as these factors determine how well the colors will hold up over time.
After researching and testing various options, I found that Old Holland New Masters Acrylics offer an impressive balance of quality and performance for serious artists.
Their formulation is designed to meet the specific demands of professional work, ensuring that every artist can create with confidence and precision.
Top Old Holland New Masters Acrylics for Professional Artists
I’ve gathered some fantastic Old Holland New Masters Acrylics that any professional artist would love to try.
Check out my top picks that combine quality and performance, perfect for bringing your artistic visions to life.
Old Holland New Masters Acrylic Medium – Satin
This acrylic medium has quickly become a go-to in my studio for achieving a beautiful satin finish.
- Increases fluidity of paints without thickening.
- Dries to a durable, transparent film.
- Versatile with both New Masters Classic Acrylics and other mediums.
- Scent can be noticeable when first opened.
- Larger jar may not be ideal for travel.
- Some may prefer a glossier finish.
Using the Old Holland New Masters Acrylic Medium – Satin has been a real game changer for my work.
I appreciate how easily it blends with my existing paints, enhancing fluidity without altering the texture.
The satin finish adds a lovely touch that elevates my pieces.
What stands out the most is the durability of the dried surface.
I’ve used it on various projects, and the results have been consistent.
The transparent quality offers a great way to build layers without losing the vibrancy of the colors underneath.
There is a slight chemical scent upon opening, but it dissipates quickly.
While the 500 ml jar is generous, it’s a bit bulky for artists who frequently travel.
Overall, if you’re after a medium that enhances your painting experience and provides professional results, this one is worth considering.
Old Holland Neutral Grey Acrylics
I really enjoyed using the Old Holland New Masters Classic Acrylics, especially the Neutral Grey color, which has great versatility.
- Excellent satin gloss finish that enhances artwork.
- Minimum brush drag for smooth application.
- Ideal for various techniques from fine detail to large washes.
- Darker tone may not suit everyone’s color palette.
- Somewhat higher price point compared to other brands.
- Might take longer to dry than some quicker-drying acrylics.
The first thing that struck me about the Old Holland Neutral Grey was its rich pigmentation.
The color lays down beautifully on canvas, providing a solid base for layering or mixing.
I found it particularly useful for creating shadow effects and subtle transitions.
It’s got just the right consistency—not too thick and not too runny, making it fantastic for different application methods.
After working with it, I appreciated how smoothly it glides on; the minimum brush drag is a definite plus.
It allows me to explore various techniques, from fine details to broader strokes.
Whether I wanted to create an intricate design or a fast wash, this paint held up well.
On the flip side, the darker tone may not be to everyone’s liking.
Some might find that it limits their palette options a bit.
Additionally, it’s a little pricier, which can be a consideration for those on a budget.
If you’re looking for a quality acrylic that stands out, the Old Holland New Masters Classic Acrylics certainly deliver.
Old Holland Violet-Grey Acrylic
I highly recommend trying the Old Holland Violet-Grey Acrylic for its rich pigments and smooth application.
- Beautiful satin finish that adds depth to artwork.
- Minimal brush drag allows for effortless blending.
- Versatile for various techniques and surfaces.
- Slightly higher price compared to other acrylics.
- Limited availability in some stores.
- Tube may not be enough for larger projects.
Using Old Holland’s New Masters Classic Acrylics has been quite an experience.
The Violet-Grey color, in particular, has a way of transforming a canvas with its unique hue.
I appreciate the pigmented quality that stands out beautifully against other colors.
It dries to a stunning satin gloss that enhances the overall look of my artwork.
What impressed me the most is how easily it mixes.
There’s minimal brush drag, allowing me to layer and blend effortlessly.
This paint is ideal for various applications, be it fine details or broader strokes.
I find it particularly rewarding when creating textured effects, as it holds its shape remarkably well.
One thing to consider is the price point.
It does cost a bit more than standard acrylics, but for professional artists looking for quality, it’s worth it.
If you’re committed to your craft and want results that stand out, this product won’t disappoint.
Old Holland Flesh Tint Acrylic
I definitely recommend trying out the Old Holland Flesh Tint Acrylic for its smooth application and vibrant color.
- Blends easily with other paints.
- Offers a lovely satin finish.
- Low brush drag for versatile techniques.
- Drying time can be a bit longer than some alternatives.
- The color might not match expectations for all skin tones.
- Pricey compared to student-grade options.
Recently, I added the Old Holland New Masters Classic Acrylic in Flesh Tint to my collection, and it’s been a fantastic choice.
The color has a subtle warmth that’s perfect for creating skin tones in my portraits.
I found that it mixes well with other colors, allowing for a lot of creative freedom.
One standout feature is how it dries to a satin gloss.
This is something I truly appreciate since it gives my work a professional finish without the need for varnish.
The minimal brush drag makes it a joy to work with; I can easily achieve various techniques without any frustration.
While I enjoy this product, I did notice that it takes a little longer to dry than I’d like.
This isn’t a dealbreaker for me, but it might be something to consider depending on your working style.
Also, if you’re looking for a very specific skin tone, this shade may not suit everyone perfectly.
Even so, the quality is hard to beat, making it worth every penny for serious artists.
Old Holland New Masters Acrylic Glazing Medium
This glazing medium is a solid choice to enhance your acrylic painting techniques.
- Blends smoothly with Old Holland acrylics.
- Perfect for achieving luminous glazing effects.
- Easy to work with and dries clear.
- Limited to use with compatible acrylics.
- Takes longer to dry than standard acrylics.
- May be pricier than other mediums on the market.
I’ve recently used the Old Holland New Masters Acrylic Glazing Medium, and it has really elevated my work.
Mixing it with the New Masters Classic Acrylics was seamless, and I noticed that my layers glided together beautifully.
The transparency it offers is ideal for glazing techniques, giving my paintings a depth that was previously hard to achieve.
The 500 ml jar size offers a good amount of product without getting overwhelming.
When applying it, I appreciated how it provides a nice flow, making it easy to manipulate.
The glossy finish isn’t overpowering, maintaining the integrity of the colors underneath.
One thing to keep in mind is that it takes a bit longer to dry than other mediums I’ve used, but the results are worth the wait.
Just make sure to time your sessions accordingly! If you’re into acrylics and looking to expand your capabilities, this medium is a solid investment.
Buying Guide
Choosing the right acrylics can be a game changer for artists.
Here’s a straightforward approach to help you select the best for your needs.
Consider the Consistency
- Fluid: Great for pouring techniques and fine details.
- Heavy Body: Ideal for impasto and texture.
- Soft Body: Good for smooth blending and glazing.
Color Selection
Look for a wide range of colors.
A larger palette helps me achieve more complex mixes.
Lightfastness Ratings
Check for lightfast ratings, especially if your work will be displayed.
A high rating means the color will last longer without fading.
Packaging Sizes
Acrylics come in various sizes.
I usually prefer tubes for detail work and larger pots for general use.
Cost vs. Quality
Quality paints can be more costly, but they often perform better.
I suggest investing in a few premium ones rather than a full set of cheaper brands.
User Reviews
I always check customer reviews before purchasing.
Real user experiences provide insights into how the paint behaves.
Environmental Considerations
Environmental consciousness leads me to look for non-toxic paints.
I make sure the paint is safe for both me and the planet.
Incorporating these aspects will help me find the perfect acrylics for my artistic journey.